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Work to remove the EIFS cladding at 1762-66 Main Street has been advancing for more than two weeks since the initial message about the sale of the buildings to the Monroe Building’s redevelopment team.
“The main cladding of 1762 and 1766 concealed what were once very charming storefront buildings,” said Jack Nossavage, who conducted initial studies on Common Bond Real Estate buildings. “Many other people probably didn’t know that 1762 Main was designed through the well-known Buffalo architect Louise Blanchard-Bethune.” 1762 was built for Henry Bald, the son of a prominent Alsatian immigrant, who opened a meat market in a place where the shop was located in the 1890s. The Bald marketplaceplaceplace flourished in Buffalo’s Cold Spring neighborhood, thanks in part to Bald’s contracts with the city and county governments early in his career. “Chauve, at one point, provided meat for the Erie County Penitentiary, while for many purposes in and around the city’s Olmsted Park system,” Nossavage said. Bald died in 1943 and the marketplaceplaceplace closed shortly after 50 years of operation. After the bald meat market accepted the award, 1762 Main was finally purchased through The Niederpreum Company, a “Buffalo builder and contractor company” founded in 1888.
In the early 1970s, 1762 Main entered a new phase of lifestyles when it was operated through an organization known as the Buffalo Black Drama Workshop (BBDW). “BBDW was founded through Ed Smith, a now-acclaimed director, after arriving in Buffalo to paint at the studio stadium at the time,” Nossavage said, “and would be a major center for the black arts movement of the 1970s. BBDW remodeled the interior of the Main of 1762 into a 65-seat theater. The organization built a stage, added professional lighting, offices and bathrooms. BBDW had many netpaintings programs, adding music, writing, dance and theater categories for Buffalo youth. On Saturdays, BBDW members took local youth to libraries.
According to Smith, it was not unusual for prominent musicians to appear in BBDW, many of whom were friends of Smith, who, in addition to his coaching position at the University of Buffalo, was also a jazz disc jockey. Local jazz musician Abdul Qadir said BBDW and some other local organization, Black Dance Workshop, have hosted musicians and artists such as Gil Scott-Heron, Frank Foster, Ron Carter and the Alvin Ailey Dancers. Qadir also noted that some of his first opportunities as a musician were to perform with dance categories and theatrical performances.
BBDW played an even more significant role in 1972, when the New York State Department of Corrections introduced a program to “re-ensued” inmates following the 1971 riots at at attica Correctional Center. BBDW enlisted to start a series of poetry and theatre categories for Attica prisoners. The reaction was so enthusiastic that the inmates’ participation had to be selected by lot. Dr. Celes Tisdale, who at the time ran the Nia Writers Workshop at THE BBDW, told the Challenger in 2017 that the company was “the only black poetry workshop in New York.” THE BBDW’s art program even led to the publication of an e-book of poetry through the inmates entitled “Betcha Ain’t”.
In 1982, the two buildings were acquired through Lenny Silver, to serve as the new headquarters of Transcontinent Record Sales, the parent company of Silver’s music publishing company, Harlem-Halwill, its label, Amherst Records, and its well-known music retail chain. Shops, Record Theatre. “Michael Pierce, Chief Financial Officer of Transcontinent, explained that Silver was looking to be closer to the Record Theatre’s flagship store across the street,” Nossavage said.
According to Pierce, in the 1980s, following a City of Buffalo quote for the brick fall, Silver hired local developer and contractor Jimmy Dilapo for any of the buildings. Dilapo owned a main structure and renovation business in Buffalo, as well as the well-known Cloister Restaurant, the Delaware Avenue property built on the site of Mark Twain’s home in Buffalo. It was then that the two facades of the buildings were covered for simupast due to a single fashionable facade.
The two buildings have the center of the Silver empire, with up to 40 more people appearing for paintings at their peak, according to Pierce. The first land of the main store of 1762 housed the offices of many branches, as well as the central computer of the Record Theater. By the time the 1762 land was briefly used as an apartment before Silver changed it to offices for his food brokerage company and his radio machinery service. The promotions branch of Amherst Records was also at the time of 1762.
The first land of 1766 Main has also been converted into offices, adding Pierce’s office. The grounds of the time of 1766 Main absolutely renovated, fitting into Silver’s personal office. The central detail of the moment is the floor of the convention hall, with curved doors, reflected skylights, lighting for banquets of varying intensity, fluffy blue carpet and a very chic bar.
The history of 1766 Main is more vernacular than that of its southern neighbor, however, remains locally significant. Built in the early 20th century, one of the first main occupants in 1766 was A.C. C. Pollard, which operated a dry goods store from the 1910s to the 1920s. Later, 1766 Main was occupied in the 1920s through a prominent pharmacist, B.J. MacAniff. After MacAniff’s departure in the 1930s, the 1766 Main was used as a retail show for shopkeepers, adding “Maury’s Food Shoppe” by Maurice Lasman and Frank Scarpace’s Main Food Market, conditioning a staples store in the Spring Cold neighborhood.
Go Bike Buffalo and Shared Mobility will replace your plans to occupy an area in the Monroe building and will be tenants in this aspect of Lafayette Avenue, in addition to workplace plans, for the time being, Common Bond Real Estate, Urban Vantage, Common Owner.
There is still a small space to complete the whole task and the programs can be sent to Derek King in [email protected]
Writing for Buffalo Rising since 2009, news of progression, ancient preservation and Buffalo history. He works professionally in ancient preservation.
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