It’s no surprise that Disney Plus’ most productive videos include massive franchises, beloved animations, and iconic classics. After all, it’s the home of Marvel, Pixar, and Lucasfilm. Not to mention the cornucopia of Disney movies spanning decades and decades of familiar titles and nostalgia. It’s one of the most productive streams for good reason.
With over five 00 movies and over 80 Disney originals on the platform, we know that the selection can seem a bit overwhelming, especially when new Disney Plus movies are added to the service each month. That’s why we’ve created this advisor to help you find the best movie to watch. From Marvel Phase five and Marvel Phase 6 movies and exhibits to new Star Wars movies and Disney Plus exhibits, we’ve got you covered.
Age rating: R (USA); 15 (United Kingdom) Director: Tim Miller RT Rating: 85% (reviews)
Wade Wilson played Ryan Reynolds in X-Men Origins: Wolverine is definitely not Deadpool. The star, however, remained committed to more precise editing of Rob Liefeld’s Marvel antihero, and after an overwhelmingly positive reaction from fans to leaked control footage in 2014, 20th Century Fox gave that film the long-awaited green light. Reynolds was born to play the fourth wall-breaking “mercenary with a mouth,” while the script (by Zombieland writers Rhett Reese and Paul Wernick) reflects the character’s famous mindful humor logo. The film had a sequel in 2018, and Deadpool will make his MCU debut in July 2024 (alongside Hugh Jackman’s Logan) in Deadpool and Wolverine.
Age rating: R (US); 15 (UK) Director: James Mangold RT Rating: 93%
While Apocalypse, Dark Phoenix and The New Mutants meant that the X-Men franchise had largely lost its way after 2014’s Days of Future Past, 2017’s Logan is arguably the most productive X-rated film of them all. Conceived as Hugh Jackman’s swan. song like Wolverine (at least, until it fits in with the aforementioned Deadpool and Wolverine), it’s a dark but perfectly crafted examination of a hero whose most productive days are him. Reuniting with Patrick Stewart’s Professor Xavier (now struggling to control his psychic powers), Logan discovers a new purpose in protecting young mutant Laura (His Dark Materials’ Dafne Keen), in a film that pushes the boundaries of superhero stories on the screen.
Age group: PG (United States); 12 (United Kingdom) Director: Steven Spielberg RT Rating: 93%
There’s a reason this 1981 vintage ranks among the best Steven Spielberg videos ever made. When the director teamed up with the Star Wars duo of producer George Lucas and star Harrison Ford, they discovered a movie. treasure as valuable as the artifacts collected through Indiana Jones. While Raiders of the Lost Ark is loosely encouraged through the James Bond films, 007’s adventures have rarely been as fun or as lavishly choreographed as the mythical archaeologist’s race to defeat the Nazis at the Ark of the Covenant. . In fact, Raiders posters weren’t lying when they said it’s the “return of the wonderful adventure” because it’s easily one of the most productive Disney Plus videos. The following Indiana Jones adventures, The Temple of Doom, The Last Crusade, The Kingdom of the Crystal Skull and The Dial of Destiny are also available to stream on the platform.
Age group: PG (United States); PG (United Kingdom) Director: Don Hall and Chris Williams RT Rating: 90% (reviews)
Ghostbusters said you never deserve to cross transmissions, but Disney was very lucky when its animation department adapted a little-known Marvel comic. As in many old Disney animations, the plot revolves around the tragic death of a father, but what Bambi and The Lion King lacked in robots and sci-fi action, Big Hero 6 delivers. the shovel. The San Fransokyo environment is a wonderfully creative fusion of East and West, while the inflatable robot Baymax has immediately earned a place alongside R2-D2 and WALL-E in the pantheon of all time wonderful droids. And yes, you have to keep your eyes peeled to see it, Stan Lee’s regulation cameo is complete and correct.
Age rating: PG (US); PG (UK) Director: Wes Anderson RT Rating: 93%
Fantastic Mr. Fox is the adaptation by noted director Wes Anderson of Roald Dahl’s ancient tale. It follows Mr. Fox as he leads a smart life in the countryside with his family. But he attacks the farms of the local human neighbors, leading to the animal network hunting down 3 ranchers; Boggis, Bunce and Bean. It is a charming film that will appeal to the whole family. Kids will love the story, the creatures, and the silliness. Adults will love the humor, Wes Anderson’s new take on a much-loved tale, and appreciate the skill of the voice actors, adding George Clooney as M. Fox, Meryl Streep as Mrs. Fox, Bill Murray as Badger and Willem Dafoe as Rat.
Age group: G (United States); U to PG (United Kingdom) Director: John Lasseter (Toy Story), John Lasseter, Ash Brannon and Lee Unkrich (Toy Story 2), Lee Unkrich (Toy Story 3), Josh Cooley (Toy Story 4) RT Rating: 97% at one hundred percent (reviews); 87% to 94% (audience)
As the first completely computer-generated film, Toy Story was going to make headlines. However, the fact that we’re still talking about it more than 25 years later proves that Pixar struck narrative gold by pairing an insecure cowboy with an action figure who believes he’s a real ranger. In a movie where argument rages, each and every toy in Andy’s playroom may be worthy of a spin-off (in fact, Buzz Lightyear was given one in the shape of Lightyear), while The strangely complex jokes and themes ensured that adults were as enthralled as their children. All three sequels are equally brilliant, which is indeed an incredible achievement, perhaps unprecedented in recent Hollywood history.
Age rating: PG (USA); PG (United Kingdom) Director: John Musker and Ron Clements RT Rating: 95%
The great luck of Encanto’s hit “We Don’t Talk About Bruno” has everyone talking again about Hamilton creator Lin-Manuel Miranda, but his first collaboration with Disney is the most productive film yet. In this success, the eponymous Moana is one of the studio’s wonderful characters, the daughter of a Polynesian island leader who learns many kinds of life when she takes to the sea to save her community. The film also deserves additional credits for appearing that, among all As for his other abilities, Dwayne Johnson can defend himself.
Age group: G (United States); U (United Kingdom) Director: Andrew Stanton RT Rating: 95%
In the first decade of the 21st century, Pixar found itself in a golden scenario that most studios (live-action or animation) can only dream of. After taking on bugs (A Bug’s Life), fish (Finding Nemo), and superheroes (The Incredibles), the computer graphics pioneers turned their attention to space, and the effects were truly out of this world. It’s hard to pinpoint what’s most audacious about this futuristic story: is it the darkness of a future Earth? Or is the first act largely silent, as the eponymous robot plods along, wearing out its endless cleaning operation? Either way, WALL-E is undoubtedly one of the most productive Disney Plus movies, a true harvest from a studio specializing in harvests.
Age Rating: PGReator: Chris Buck and Jennifer LeeRT Score: 90%
If you have kids of a certain age, the thought of ice princesses, talking snowmen, and letting each other pass by can be enough to make you break out in a freezing sweat. But if you look beyond the relentless heavyweight surrounding the original Frozen movie, it’s one of Disney’s most productive fairytale narratives (they’re based on Hans Christian Andersen’s Frozen), with two inspiring female leads, stunning animation, and, yes, some amazing songs.
Age group: PG (United States); U (United Kingdom)Director: Brad BirdRT Score: 97%
By the time The Incredibles arrived in 2004, Pixar had stumbled upon a formula in which two chalk-and-cheese characters would combine on some sort of quest (see Toy Story, Monsters, Inc. , and Finding Nemo). However, when Iron Giant and The Simpsons director Brad Bird entered the picture, he shook things up with a hilarious, action-packed story about an (otherwise) ordinary circle of superpowered relatives. Thanks to Marvel, there’s no shortage of superhero videos on Disney Plus, but few are as smart, fun, and creative as The Incredibles. Set in a timeless election in the United States, the film’s visuals are sublime and beautiful to look at, although the fact that the film is more interested in Parr’s circle of relatives than his superhero alter-egos sets it apart. of the pack. How does The Incredibles compare to the animation studio’s best? Consult our advisor for the most productive Pixar videos ranked.
Age group: PG (United States); U (United Kingdom) Director: Pete Docter RT Rating: 98%
Pete Docter is now Pixar’s art director, and his qualifications for the task have long been clear: As a director, he’s guilty of some of the biggest and boldest narrative concepts in the studio’s history. A clever examination of the afterlife, Inside Out is her true masterpiece, an adventure into the brain of a woman who transforms her feelings into complete characters. Array. This is Pixar, a studio so successful that it can occupy many more places on this list. One of the most productive Disney Plus videos: the characterization and storytelling are second to none. But what’s even more impressive is how the film translates a child’s subconscious into a fully functional society. Movies, animated or not, don’t get much smarter than this.
Age group: G (United States); U (United Kingdom) Director: Roger Allers and Rob Minkoff RT Rating: 92%
The 1980s were a dark time for Disney’s animation division, but the studio regained its mojo with the triple whammy of The Little Mermaid, Beauty and the Beast, and Aladdin in the following decade. The climax of the revival moved away from the classic Disney fairy tale. stories to tell the Hamlet-inspired story about an exiled lion cub who returns to claim his throne. Filled with memorable songs, built around stunning sets and an impeccable cast (who would have thought to cast James Earl Jones as an absent father?), this is one of the most productive hours of 2D animation. The photorealistic “live-action” remake is also available on Disney Plus.
Age Class: PG Director: Pete Docter and Kemp Powers RT Score: 95%
Pete Doctor is the culprit behind the stories of so many Disney and Pixar animated masterpieces. From Monsters Inc to Inside Out, each of these films is known for offering big life lessons using digestible metaphors wrapped in whimsical fantasy, but it’s his paintings alongside Mike Jones (The Incredibles) and Kemp Powers (Spider-Man: Across the Spider). -Verse) about the 2020 family adventure film Soul that moves me the most. He addresses the existential question: what does it mean to have a soul? And based on his wins at the 93rd Academy Awards for Best Animated Feature Film and Best Original Score, it’s probably safe to say that his philosophical reaction is a shock to audiences. It’s a laugh for the whole family.
Age group: PG (United States); PG (United Kingdom) Director: Robert Zemeckis RT Rating: 96%
A black-and-white Judy Garland going Technicolor in the original Wizard of Oz is rightly hailed as one of cinema’s greatest moments; However, for a younger generation, Baby Herman stepping out of a cartoon onto a genuine movie set had the same effect. . The way Back to the Future director Robert Zemeckis brought animated characters into a live-action world is a technical feat, but even beyond the magical “how did they do that?” ”, it is an incredible film. Who Framed Roger Rabbit is a family-friendly version of old film noir, with a nightmare-ridden villain and, in Londoner Bob Hoskins, one of cinema’s wonderful hard-boiled detectives.
Age Rating: PG (US) Director: Jimmy Chin Elizabeth and Chai Vasarhelyi RT Score: 98%
My hands sweat just thinking about this documentary. It’s one thing to climb the highest peak of El Capitan Mountain in Yosemite National Park with ropes and protective gear, but doing so without any apparatus is another feat. In Free Solo, we meet Alex Honnold as he contemplates fulfilling his life’s dream of climbing the face of the world’s most famous rock; that word may have ended there without a problem and still be impressive, but after all, this is the mythical climber Honnold, without a rope. Honnold’s Breathtaking Ascent Climbing the vertical rock wall is a tense look (even from the low couch in my living room), but the documentary also gives a little respite from the sporting action by interrupting the narrative with scenes from the daredevil’s family life. his friends and his girlfriend. It’s an ordinary, stressful watch that will leave you speechless.
Age Rating: PG (US) Director: Theodore Melfi RT Score: 93%
It was astronauts who made headlines after the first spaceflights in the U. S. It took thousands of others to make their giant steps a reality. Hidden Figures belatedly highlights three African-American women whose numeracy skills played a pivotal role in the fortune of NASA’s early space travel. In this docudrama (based on the nonfiction book by Margot Lee Shetterly), Taraji P Henson, Octavia Spencer, and Janelle Monáe play real-life mathematicians Katherine Johnson, Dorothy Vaughan, and Mary Jackson. they are capable of making complex calculations that will then be processed through computers, they are held back by the racist and sexist attitudes of the United States in the 60s. But for all the adversity the brilliant trio faces, director Theodore Melfi says Hidden Figures is also a story of triumph, and even achieves the unlikely feat of making mathematics cinematic.
Age rating: PG (US); 12 (UK) Director: Penny Marshall RT Rating: 98% (reviews)
Tom Hanks won back-to-back Oscars in the ’90s for Philadelphia and Forrest Gump, but it was the 1988 comedy-drama Big that earned him his first nomination. In fact, the star has arguably never been smarter than he is here, banking on a 12-year-old boy whose wish to be “big” comes true. Of course, the boy soon discovers that being an adult is rarely all it’s cracked up to be, despite his extraordinary fortune at a major toy company, but Hanks, could you support Josh with a veneer of believable naivety? .
Age group: PG (United States); PG (United Kingdom) Director: Mark Waters RT Rating: 88%
Disney loves the premise of this body-changing comedy so much that it has created 3 editions of Freaky Friday, and they’re all available on Disney Plus. However, it is the 2003 edition that stands out, like Jamie-Lee Curtis’. Lindsay Lohan’s tense mother and rebellious teenager thank the magical fortune cookies. The secret to the film’s good luck lies in the casting, with the two leads displaying a supernatural ability for role-reversing comedy, betting on their counterpart with all the delight of John Travolta and Nicolas Cage in Face/Off. Made a year before Mean Girls, it’s the film that made Lohan one of the most skilled actresses of her generation.
Age Group: PG (United States); PG (UK)Director: Kevin LimaRT Rating: 93%
Disney takes the cake and eats it with a postmodern film that laughs at the clichés of its animated classics, while also being a magical fairy tale in itself. Amy Adams is generally brilliant as Giselle, a classic Disney cartoon princess who finds herself transported to a place far scarier than any magical kingdom: the real world. The animated and live-action segments are perfectly executed, as the self-aware story seamlessly blends comedy, an evil queen (played by Susan Sarandon), and a romance with a down-on-his-luck lawyer (Patrick Dempsey) who not not necessarily fortunately forever. The long-awaited sequel, Disenchanted, premiered on Disney Plus in 2022.
Age Rating: PG-13 (US); 12 (UK) Director: Gore Verbinski RT Rating: 80%
Neither pirate videos nor videos based on theme park attractions were considered a recipe for good luck in 2003. However, the first Pirates of the Caribbean managed to wow everyone by becoming one of the box office hits. most notable of the time. The mix of romance, ghosts and swashbuckling action on the finest seas that seduced everyone proved infectious, but it was the wonderfully eccentric Captain Jack Sparrow (Johnny Depp based his work on Rolling Stone’s Keith Richards) who brought The Curse Black Pearl to the next level. Pretend the four disappointing sequels, which are also available on Disney Plus, didn’t happen.
Age rating: PG-13 (United States); 12 (UK) Director: James Cameron RT Rating: 81% (reviews)
We have to wait more than a decade for a new James Cameron film to arrive, but fortunately everything the director does is worth talking about. So while the plot of his 2009 disco is a little forgettable (a human soldier falls in love with a giant blue alien on the remote moon of Pandora), it’s still a very entertaining technical marvel. Fifteen years later, no movie has surpassed its incredibly detailed three-dimensional visuals, and even without the third dimension, watching it on the most productive 4K TV you can find makes you feel like you’ve been transported to another world. The long-awaited sequel, The Way of Water, is just as impressive and is also available on Disney Plus. Do you want to know more about the most successful director in history? Check out our advisor on the most productive James Cameron movies.
Age rating: PG-13 (United States); 12 (United Kingdom)Director: Antony Russo and Joe RussoRT Rating: 85% / 94%
The two-part climax of the original 23-film Marvel odyssey was worth the wait, as the Avengers, Guardians of the Galaxy, and super-powered parasites joined forces to thwart Thanos’ quest to download the six Infinity Stones. With Infinity War providing one of cinema’s biggest cliffhangers and Endgame set in oddly dark places, both films feature many of the boldest and most epic moments in the Marvel Cinematic Universe, not to mention some of the most brazen achievers.
Age rating: PG-13 (USA); 12 (United Kingdom) Director: Gareth Edwards RT Rating: 84%
The Force Awakens proved that Disney knew how to make a Star Wars movie, even if it largely followed the beats of George Lucas’s original film. This brilliant indie lands it a spot on our list of the most productive Disney Plus movies as it seems unknown characters, a war movie vibe, and a project whose past fortune has never been in doubt are no impediments to past fortune. Based on a few lines from the opening exploration of A New Hope, it sees a brave organization of rebels break through enemy lines to recover the plans to the first fearsome Death Star. The final act is strangely dark, but it’s also one of the most completed in the entire franchise. There’s also something quite glorious about revisiting the original X-wings trilogy in action, propelled into the 21st century. 19th century computer generated magic. Andor season 2, one of the most productive new Star Wars television series, has also been shown to lead directly into the events of Rogue One.
Age rating: PG-13 (United States); 12A (UK) Director: Jon Watts RT Rating: 92%
While there haven’t been as many live-action Spider-Men as Batmen or James Bonds, Marvel’s iconic web-shooter has had many incarnations on screen since the turn of the century. Tom Holland’s Marvel Cinematic Universe edition is arguably the best. a compelling update to the geeky teen superhero from Stan Lee and Steve Ditko’s original comics, and a character capable of taking on Tony Stark, Steve Rogers, and the rest of the Avengers. Spider-Man: Homecoming is a fun coming-of-age transition. an adventure that returns the MCU to the best school. Former Batman Michael Keaton offers a smart villain like Adrian “The Vulture” Toomes, while the resolution to level up outdoor superheroes in Spider-Man’s classic Manhattan skyscraper playground helps keep things fresh.
Age group: PG (United States); U and PG (United Kingdom) Director: George Lucas (A New Hope), Irvin Kershner (The Empire Strikes Back), Richard Marquand (Return of the Jedi) RT Rating: 82% to 95%
What is left to say about three films that replaced cinema and gave rise to a franchise that is still the duration of a Death Star 47 years later?George Lucas discovered a strange but difficult alchemy when he mixed samurai-inspired warriors, old westerns, and mystical gibberish, and then set the mixture in a galaxy far, far away. If you press us, we would say that The Empire Strikes Back is the maximum production of the trilogy: it is more sophisticated, it is the home of cinema’s most outstanding blockbuster. , and has AT-AT and asteroids in its first act; however, the Force is still strong with those 3 timeless classics.
Age rating: PG-13 (United States); 12 (United Kingdom)Director: Taika WaititiRT Score: 93%
If Thor had hung up his hammer for intelligence after the difficult Thor: The Dark World, few tears would have been shed. Then came Taika Waititi, at that time best known for the brilliant Hunt for the Wild Peoples, and reinvented Odin’s firstborn. like the god of comedy. Chris Hemsworth’s Asgardian deity, through it all, not only can step out of the shadow of his little brother Loki (a generally observable Tom Hiddleston), but each and every secondary player is presented with a stage-stealing moment. , whether it’s Cate Blanchett’s glorious villain, Mark Ruffalo’s Hela. The recently susceptible Hulk, or Jeff Goldblum’s sublimely insane despot, the Grandmaster. Waititi has reserved the most productive role, however, that of Korg, a soft-spoken revolutionary literally cut from the rock. Unfortunately, the director couldn’t find the same magic with a sillier, less cleverly plotted sequel to Thor: Love and Thunder, which is also available on Disney Plus.
Age rating: PG-13 (USA); 12 (United Kingdom) Director: Ryan Coogler RT Rating: 96%
Until Spider-Man: No Way Home revived the post-Covid box office, Black Panther was Marvel’s most successful solo superhero. It’s not hard to see why, because despite the history, King T’Challa, also known as Black Panther, fights His rival Erik Killmonger’s claim to the throne of Wakanda is a fairly popular superhero film, the director’s presentation Ryan Coogler takes it to another level. The futuristic African kingdom of Wakanda is indeed a magnificent creation: a world where complex generations meet. armed rhinos, while the former Chadwick Boseman’s role as the eponymous hero is one of dignity and power.
Age Rating: PG-13 (US); 12 (UK) Director: Ryan Coogler RT Rating: 83%
Black Panther: Wakanda Forever is the second installment in the series, and that is to say that it had great shoes to fill. After the unforeseen death of Chadwick Boseman, Black Panther 2 may have simply failed, but Marvel did an amazing job of continuing the story. in an emotionally charged and absolutely respectful way. It even received a rare five stars in our Black Panther: Wakanda Forever review. The story begins a year after the end of the original film, after the death of King T’Challa. Those closest to the king struggle to move forward, Wakanda finds itself vulnerable and without Black Panther as a protector. Queen Ramonda (Oscar nominee Angela Bassett) will have to lead the country through a turbulent time and try to take down the global powers that need to take over her advisor’s coveted vibranium.
Age rating: PG-13 (United States); 12 (UK) Director: Bryan Singer RT Rating: 85%
In the early 2000s, Hollywood studios were still looking to make superhero movies more productive. After the first X-Men movie (released in 2000) proved that Marvel heroes could make a splash at the box office, this sequel (titled X-Men 2 Outside the United States) has become one of the first classic comics of the 21st century. With the maximum of the set set for the first time, X2 expands the scope of the narrative with the X-Men on the run and the dubious military man, Colonel Stryker (future Succession star Brian Cox) launching a plan for all mutants. As Wolverine discovers his origins, new characters appear (including Alan Cumming’s Nightcrawler) and heroes and villains are forced to work together, in a first-class Marvel adventure.
Age rating: PG-13 (United States); 12 (UK) Director: Thomas Kail RT Rating: 98%
Okay, technically it’s not a movie, but in the absence of a true big-screen adaptation of Lin-Manuel Miranda’s hit musical, this recording of the Broadway play Hamilton fits the bill. Starring Miranda in the title role of Alexander Hamilton, one of the founding fathers of the United States of America, this is one of the most stimulating history classes he has ever seen. Hip-hop-influenced songs sound wonderful coming out of your TV, while creative cinematography brings the immediacy of level functionality to your living room. A sung edition of the film is also available, if you can’t join us.
Age rating: G (USA); PG (United Kingdom) Director: Robert Stevenson RT Rating: 97%
Pop quiz! Which film did Julie Andrews win the Academy Award for Best Actress? While The Sound of Music is a mild guess, it struck gold with this magical babysitting story. She is a revelation in the role of Mrs. Poppins, stern but inspiring, perfectly played. song with the character, whether it’s humans or the collection of cartoon characters seamlessly incorporated into live action. Songs like “Supercalifragilisticexpialidocious,” “A Spoonful of Sugar” and “Feed the Birds” have penetrated the collective pop culture consciousness, and the film is so clever that the weirdness of Dick Van’s cockney accessory slightly registers. Mary Poppins Returns, which gave Emily Blunt the unenviable task of emulating Andrews, arrived in 2018 and is also available on Disney Plus.
Age Group: PG (United States); U (UK) Director: James Bobin RT Rating: 95%
Disney’s big acquisitions of Pixar, Marvel, and Lucasmovie were the purchases that made everyone sit up and take notice, but they also had the wise business sense to secure the rights to the durable felt-covered creations through Jim Henson. There are plenty of brilliant Muppet movies on Disney Plus, as well as the TV classic The Muppet Show, but we opted for this return in 2011. As Jason Segel’s Gary and his Muppet brother Walter try to save a movie theater from the developers, the story is witty, heartfelt, and as self-aware as we’ve come to expect from Kermit and company. And thanks to the stunning song “Man or Muppet,” written by Bret McKenzie of Flight of the Conchords, the film even won an Oscar.
Age rating: PG-13 (United States); 12 (UK) Director: Steven Spielberg RT Rating: 92%
Steven Spielberg didn’t make life simpler with his first musical: In remaking Robert Wise’s 1961 edition of Leonard Bernstein and Stephen Sondheim’s hit, the director invited comparisons to a beloved film that achieved great success. Oscar. Fortunately, it’s more than up to the task, and its tough narrative brings a very fashionable twist to a love story set against the backdrop of rival gangs in New York. The choreography is electric and the cinematography extends far beyond the musical’s theatrical origins. But Spielberg also deserves credit for accentuating the still-relevant racial politics hinted at in the original. An instant classic.
There are over 500 videos to choose from on Disney Plus, and while many are great watches, not all of them are considered the most productive. To be selected as one of the most productive to stream on the service and be included in this guide, a movie will need to have a Rotten Tomatoes score of at least 80% and will need to be able to stream on the Disney Plus app in the USArray United Kingdom and Australia, and received advice through one of TechRadar’s streaming teams.
This is by no means an exhaustive list and we will continue to upload it to the consultant as new movies are uploaded to the service, while making sure to remove those that do not meet the compatibility criteria above. As new videos are uploaded regularly, be sure to keep them updated. So be sure to come back. And, if you are not a subscriber and are doing so, here is a Disney Plus advisor with useful information to sign up.
For more Disney Plus coverage, read our roundup of all the new Disney Plus videos coming this month. You can also learn about Disney Plus shows, our Disney Plus pricing guide, and find out if a Disney Plus free trial is available.
Richard is a freelance journalist specializing in film and television, primarily in the science fiction and fantasy spaces. An early encounter with a galaxy far, far away sparked a lifelong love affair with space, and those days Richard is happily interested in Star Wars, Star Trek, Marvel, and more. other long-running pop culture franchises. In a past life, he was editor-in-chief of the legendary science fiction and fantasy magazine SFX, where he had the opportunity to interview many of the industry’s biggest calls, though he’ll have a comfortable spot for Jeff Goldblum, who (somewhat strangely) thinks Richard’s call was Winter.
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